Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and co-hosts NPR's classical music blog Deceptive Cadence.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from the Manhattan club (Le) Poisson Rouge, featuring the acclaimed Emerson String Quartet. He's also asked musicians to play in unlikely venues, such as cellist Alisa Weilerstein playing Bach at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, Md. and in his spare time writes about music for the Washington Post and overloads on concerts and movies.

Late in 1968, it was astounding to me how one of the best-loved bands could create one of the least-liked songs. It was "Revolution 9," near the end of The Beatles' sprawling White Album.

But then, I was only 7 years old and, frankly, those eight minutes of chaotic sounds and mumbled words were positively frightening. And who was that guy who kept intoning "number nine?"

One hundred years ago, a musician was born who took the world by storm, both with his violin and with his warmhearted humanity. Yehudi Menuhin was born April 22, 1916, in the Bronx to Russian immigrants. He began his career as an astounding child prodigy in velvet knee pants. But two men who knew him well — documentary filmmaker Bruno Monsaingeon and violinist Daniel Hope — maintain that as Menuhin grew older, he turned out to be far more than just another virtuoso.

With his long beard, homemade horned helmet, flowing cloak and spear, he was known as the Viking of Sixth Avenue. He was born Louis Thomas Hardin in Marysville, Kan. in 1916 and later called himself Moondog. At 16, he was blinded while fiddling with a blasting cap.

Prolific and multifaceted British composer and conductor Peter Maxwell Davies died Monday at age 81 at his home in the Orkney Islands, off the northern coast of Scotland. His death, from leukemia, was reported on the websites of both his publisher and his management company.

You might call it old wine in new bottles, but what sweet, masterfully crafted wine it is. Upheld by Stillness, the debut album by the young and vibrant British a cappella choir ORA, presents a contemporary twist on a 16th-century classic.

Nicholas McCarthy was born without his right hand. Pursuing the piano would not exactly appear to be the most intuitive career choice. And yet that is exactly what the 26-year-old British pianist has done. His debut album, Solo, will be released next week.

McCarthy's "Aha!" piano moment came relatively late, at age 14, after he heard a friend play Beethoven's "Waldstein" Sonata. In a flash, he saw his future. He was determined to become a concert pianist.

Note: NPR's First Listen audio comes down after the album is released, but you can hear a track below via YouTube.

Pages