With a big, soulful voice rooted in American blues and gospel, Hozier has spent 2014 on a clear path to stardom. His breakthrough song, "Take Me to Church," has racked up millions of views online, and his U.S. tour is sold out. He's been favorably compared to Lorde and Adele. But to the 24-year-old from Ireland, big stages and big crowds are still a bit intimidating.
Blessed with perfect pitch and a resonant voice, vocalist and pianist Diane Schuur received her training at the Washington State School for the Blind. Today, Schuur is a two-time Grammy winner who has performed at Carnegie Hall and the White House.
We're only five years away from Ridley Scott's 1982 vision of a retro-futuristic Los Angeles, when all that stands between human and biorobotic android is the Voight-Kampff machine. But the dark tones and moral ambiguity of Blade Runner never left the film's cult fans — particularly those beguiled by Vangelis' synth-driven soundtrack.
Clint Eastwood is best known for his work in Hollywood, but he's also a composer and jazz aficionado. Combining his love of both art forms, he's included classic jazz recordings in his films — including Play Misty for Me, which features the famous Errol Garner ballad.
Since his time as lead singer of the British pop band Culture Club, Boy George has had his ups and downs, including failed projects, a battle with addiction and jail time. Now sober, he's just released his first solo album in 19 years, This Is What I Do.
In this World Cafe session, Boy George has a thoughtful conversation with host David Dye and performs a few songs from This Is What I Do.
In June 1970, Miles Davis played four nights at New York's rock palace Fillmore East, following earlier appearances there and at San Francisco's Fillmore West. A complete recording of all four of those June sets are now available for the first time.
Jazz critic Kevin Whitehead says the jazz trumpeter had gone to the Fillmore in search of a new audience.
UNIDENTIFIED MAN: Good evening. With great pleasure, Mr. Miles Davis.
We get a lot of mail at NPR Music, and alongside the bag of caramel-filled chocolates we're neglecting to share with our colleagues is a slew of smart questions about how music fits into our lives — and, this week, thoughts on when hardcore fans hate their favorite artist's new project.