The artists featured on this week's Jazz Night In AmericaWednesday Night Webcast are, by a fair margin, the least-known performers we've had on the program. Their names don't travel far outside the underrated musicians' community of the mid-Atlantic — specifically, Washington, D.C. — but not for lack of talent. They're among the premier musicians in the region, some being bandleaders themselves, and they all have strong individual sound identities.
Last year you heard Terrace Martin's work on YG's album, Ninth Wonder's compilation, Big K.R.I.T.'s Cadillactica and, just this week, a new song by Kendrick Lamar, called "The Blacker The Berry." In the space of less than six months in 2014, the LA-based producer and multi-instrumentalist also put out a full solo album, 3Chor
Originally published on Thu February 12, 2015 12:47 pm
When Amit Peled was 10, his parents gave him a gift: a cassette of music by cello master Pablo Casals. Peled had no classical background; his parents were not musicians. He says his own budding interest in the cello was a scam, a way of getting close to a girl in his town who happened to play the instrument. And yet, every night, he would fall asleep with the tape playing from a boombox beside his bed. The music made an impression.
Originally published on Tue February 10, 2015 3:24 pm
We were all here before. Rising up out of the subway onto 125th Street, it strikes me that I should come uptown to Harlem more often. The Popeye's on 125th and St. Nicholas Avenue is still there, offering the same crispy bird parts and sodium-heavy buttermilk biscuits; it's still the same bustling, up-til-3-a.m. refuge it always was. Vendors still hawk street literature, pamphlets and incense sticks on fold-up tables that line the sidewalks. It could just as easily be 1995. That's when I was restless and unsettled.