This Piano Jazz episode from 1999 features one of today's preeminent jazz singers. Dianne Reeves brings her rhythmic virtuosity to a sparkling set of standards, including duets with host Marian McPartland on "Close Enough for Love" and "Softly, As in a Morning Sunrise."
Whenever photographer Chuck Stewart was hired by a record company to document a recording session, he would shoot during the rehearsal takes, playback and downtime. The company would take what it needed, the remainder likely never to be developed, much less published. After decades in the photography business, and thousands of album covers to his name, he's amassed a lot of negatives.
You know what's awesome? Drum fills. A killer bass line is pretty great, too. And guitar solos. And melodies and chord progressions. But a really great drum fill is often the one thing that makes a song truly take off. Think of Phil Collins' "In The Air Tonight" and try not to get that song's classic fill stuck in your head immediately.
Originally published on Fri March 28, 2014 9:53 am
Is an artist's life relevant to her reputation as an artist? Not so much, perhaps, but many of us want the bio anyway, especially when the artist in question is as tantalizingly elusive as Vivian Maier (or Mayer, or Meyer, as she variously spelled it to confound the curious), a reclusive Chicago nanny whose posthumously discovered trove of street photographs swelled into a cause celebre after her death in 2009.
On this installment of World Cafe's Latin Roots series, music producer and singer-songwriter Rachel Faro discusses an Afro-Uruguayan style of Latin music called Candombe.
Separated by a river from Argentina and nestled next to southern Brazil, Uruguay experienced the same influx of African slaves as Brazil, which resulted in a similar but often overlooked musical impact. Played on sets of three drums, Candombe is highly rhythmic; it's been an integral part of carnival celebrations for centuries.
Originally published on Thu March 27, 2014 3:04 pm
We get a lot of mail at NPR Music, and amid the hundreds of water bottles we were supposed to give away at SXSW is a slew of smart questions about how music fits into our lives — and, this week, thoughts on when a person can rightly be considered too old to attend music festivals.
Originally published on Thu March 27, 2014 12:30 pm
Beginning Thursday, March 27, Alt.Latino hosts Felix Contreras and Jasmine Garsd will visit Mexico City to check out bands playing Vive Latino, the biggest rock and alternative music festival in Latin America. Before they packed their sunscreen, they made this YouTube playlist of the artists they hope to see.
The Wytches' furious, hair-flinging psych-rock isn't the stuff of back-porch acoustic sessions: Both live and on the English band's singles, the energy is so intense, it can barely be contained. But when NPR Music arranged a Wytches session during SXSW — held in the charming backyard setting of Friends & Neighbors in east Austin — singer-guitarist Kristian Bell stood in for the whole band, with just his voice and an acoustic guitar.
Chihiro Yamanaka and Jane Bunnett come to the Kennedy Center from Japan and Canada, respectively, and each has a compelling story.
Jane Bunnett is from Toronto, yet for more than 30 years, she's championed Cuban music and musicians. She's made dozens of trips to the island, studying and working, bringing instruments to schoolchildren, and inviting players to return to Canada with her and her husband, trumpeter Larry Cramer.