Felix Contreras

Felix Contreras is co-host of Alt.Latino, NPR's web-based program about Latin Alternative music and Latino culture. It features music as well as interviews with many of the most well-known Latino musicians, actors, film makers and writers.

Previously, Contreras was a producer and reporter for NPR's Arts Desk and covered, among other stories and projects: a series reported from Mexico introducing the then-new musical movement called Latin Alternative; a series of stories on the financial challenges facing aging jazz musicians; and helped produce NPR's award winning series 50 Great Voices.

He once stood on the stage of the legendary jazz club The Village Vanguard after interviewing the club's owner and swears he felt the spirits of Coltrane and Monk walking through the room.

Contreras is a recovering television journalist who has worked for both NBC and Univision. He's also a part-time musician who plays Afro-Cuban percussion with various jazz and Latin bands.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify playlist at the bottom of the page.


The first thing we must note about this album by the Hart Valley Drifters is that it is not the most authentic bluegrass or old-time music. This is not from a long-lost box of tapes found in a dusty closet, not performed by a group of master folk musicians from somewhere in Appalachia.

I've always thought Nina Diaz was fierce.

What feeling of freedom must accompany recording artists who don't use their real names when they write or perform music? Does a musical mask, a second personality, let them create a whole new persona? A way to react differently to the world? I remember one Halloween, I went to a costume party at a friend's office. I didn't know anyone there, and was wearing a costume that included a mask that completely covered my face. I'll never forget the complete freedom as my friend's office mates tried to figure out who I was.

Gaby Moreno's Ilusión represents a high-water mark in a musical career that's never been predictable. It's one of the strongest statements I've heard from a musician who ignores boundaries and genre classifications to create a sound greater than the sum of its parts.

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