Felix Contreras

Felix Contreras is co-host of Alt.Latino, NPR's web-based program about Latin Alternative music and Latino culture. It features music as well as interviews with many of the most well-known Latino musicians, actors, film makers and writers.

Previously, Contreras was a producer and reporter for NPR's Arts Desk and covered, among other stories and projects: a series reported from Mexico introducing the then-new musical movement called Latin Alternative; a series of stories on the financial challenges facing aging jazz musicians; and helped produce NPR's award winning series 50 Great Voices.

He once stood on the stage of the legendary jazz club The Village Vanguard after interviewing the club's owner and swears he felt the spirits of Coltrane and Monk walking through the room.

Contreras is a recovering television journalist who has worked for both NBC and Univision. He's also a part-time musician who plays Afro-Cuban percussion with various jazz and Latin bands.

Note: NPR's Audio for First Listens comes down after the album is released.

How do you go back to the well after 40 years spent drawing up buckets and buckets of creativity? Where do you find the inspiration? How do you get motivated? How do you stare down that blank page one more time?

Last December, the night before Barack Obama announced that he would seek to update U.S. relations with Cuba, Arturo O'Farrill and The Afro Latin Jazz Orchestra played a gig at Havana's U.S. Interest Section.

The Colombian folkloric vocalist Totó la Momposina is considered a living, cultural treasure in that country. Since the 1970s, she has been singing and dancing to the music of the Colombian Caribbean coast on stages around the world.

For the 50th anniversary of the Grateful Dead's founding, the band will perform three shows — their last — in Chicago this weekend. According to Billboard magazine, the "Fare Thee Well" concerts will bring in an estimated $50 million. That's pretty impressive, considering that band's lead guitarist died two decades ago.

Although they share the same last name, it's hard to imagine a less likely pairing than Luz Elena Mendoza and Sergio Mendoza.

While both have roots in Mexico, Luz Elena makes her home in the Pacific Northwest and has fronted a band called Y La Bamba. That group sets Luz Elena's deep, evocative voice against backing vocals so rich, I once described Y La Bamba's other singing members as bearded choirboys. There were direct Mexican influences in the music, but not many.

Rana Santacruz waited five years to release his second album.

In today's instantaneous digital age, that's a dangerous career move. Waiting that long risks a budding fan base moving on to next new thing. Musical trends change fast, risking diminished interest in a particular sound. A club owner or booking agent can delete old contact info with the push of a button.

In the case of Santacruz's new album Por Ahí, hanging back was exactly the right thing to do.

This crazy, clever cover medley spans an entire musical universe, as it superimposes one of Duke Ellington's sacred works (1968's "Heaven") over Led Zeppelin's 1971 rock classic "Stairway To Heaven." Trombonist Chris Washburne and his mighty See You On The Other Side miniature big band have released an album of inspired Latin jazz instrumental covers; titled Low Ridin', it touches on '70s-era rock songs by the likes of Neil Young, The Doors, Lou Reed and Jimi Hendrix.